Left: FILE – This booking photo provided by the Los Angeles Police Department shows O.J. Simpson after he surrendered to authorities at his Brentwood estate in Los Angeles, Friday, June 17, 1994. (Los Angeles Police Department via AP). Center: Robert Chambers Jr., left, is followed by photographers as he arrives at the State Supreme Court in New York, March 23, 1988. (AP Photo/Mario Suriani). Right: Sean P. Diddy Combs at the 2017 Costume Institute Benefit Gala celebrating the opening of the exhibition "Rei Kawakubo/Comme des Garcons: Art Of The In-Between" held on May 1, 2017 at The Metropolitan Museum of Art in New York City (File Photo by: zz/ESBP/STAR MAX/IPx 2017 5/1/17).

Nearly 40 years ago to the day, in the early morning hours of Aug. 26, 1986, a young female cyclist discovered the body of Jennifer Levin, an 18-year-old young woman from New York who, like many of her peers, was gearing up to start college and a new phase of her life. Almost immediately, many police officers and detectives suspected that someone had attacked Levin on the street and dragged her body into the park. As Linda Fairstein, the prosecutor who eventually handled the case, stated in the first episode of the 2019 AMC series "The Preppy Murder: Death in Central Park": "[T]he assumption we all had was this was a young woman who had been killed and dumped in Central Park by a stranger, and that the likelihood of finding her killer was incredibly remote."

Fairstein's assumption was not far-fetched; New York City in the 1980s was vastly different from the metropolis it is today — neighborhoods like SoHo or Tribeca, which are now rampant with trendy cafes, upscale stores, and eager influencers, were considered gritty at best then, and crime was rife throughout the city. In 1980, the city recorded over 1,800 homicides, with the rate of murders peaking at 2,245 in 1990 during the crack cocaine epidemic, whereas modern times measure the annual homicide rate as 300 per year.

Yet in just a few hours as detectives were examining the body and crime scene, it would be revealed that not only was Levin attacked, strangled, and abused inside the park, but that the perpetrator of this horrific crime was a young man she knew, then-19-year-old Robert Chambers. The case immediately drew headlines not only within New York but nationally, partially because the people involved were young, attractive, and products of the city's elite private school system. But, as increasingly gruesome details of the killing came to light, public fascination only grew.

Robert Chambers was apprehended and during a videotaped police interrogation, admitted to accidentally killing Levin during a bout of "rough sex," whereas investigators maintained Levin had gone into the park with Chambers (who she had been casually dating), and the autopsy revealed she had been strangled, with severe bruising all over her body, her undergarments removed, and damaged fingernails showing she bravely fought for her life during the struggle (with investigators also noticing deep scratch marks on Chambers' face and arms as well).

Despite evidence pointing to Chambers assaulting, strangling, and savagely killing Levin, many immediately latched onto troubling narratives planted in the press (largely by Chambers' eventual defense attorney Jack Litman) that Jennifer was to blame. Litman and his team perpetuated false stories that Levin was the aggressor against Chambers, she had an extensive tawdry sexual past, and even detailed these dalliances in what Litman deemed a sex diary, alleging it included details of "kinky and aggressive sexual activity by Jennifer Levin with many lovers." In actuality, the diary was a standard datebook Levin kept with friends' phone numbers and margin notes, so innocuous it was even kept in the kitchen of the SoHo home she lived in with her father.

Sadly, this was just the beginning of how Levin's name and reputation would be systematically denigrated during the trial, while Chambers' photogenic looks, privileged background, and charismatic charm were leveraged in his favor — a stark media contrast that ultimately earned him the infamous moniker, the "Preppy Killer."

By 1988, Chambers was put on trial for murder, yet the jurors were unable to reach a unanimous verdict. The prosecutors then facilitated a deal in which Chambers agreed to the lesser charge of first-degree manslaughter. Chambers was sentenced to 15 years and subsequently released in 2003, before being arrested in 2007 for selling drugs out of his apartment and being jailed again until his release in 2023. Chambers is now 59 years old and has already spent over half his life in prison.

This week has marked the 40th anniversary of Levin's tragic passing; much has changed in the aftermath of this case, regarding the law, the media, and how we treat female victims in criminal cases in the U.S. justice system, some for the worse and some for the better. Yet as we look back on the Levin case compared to high-profile trials today, have we really changed as much as we should have? While the world was undeniably captivated then, the media and public's dissection of it feels strikingly familiar today: female victims are still functionally put on trial as their reputations are unfairly torn apart; handsome and privileged male defendants are granted the benefit of the doubt; and biased media framing continues to distort public perception. As we examine these three key dimensions of the Levin case, a closer analysis reveals a sobering truth: while the justice system and media landscape have undeniably evolved, society still has some changes to make before it reaches true progress.

Victim on trial

Almost immediately after Chambers was arrested, he hired prominent defense attorney Jack Litman, who became widely known for weaving in the "blame-the-victim defense," which did not begin with Levin. Litman's strategy of framing female victims as promiscuous, reckless, or somehow deserving of the treatment they received while simultaneously posing his clients as polished, wholesome, and sympathetic was also used in the case involving Richard Herrin.

Herrin was a Yale scholarship student who came from humble beginnings and was accused of beating classmate Bonnie Joan Garland to death with a hammer in 1977 after she ended their relationship. Litman discussed his tactic related to Garland after the case, stating: "It was important to taint her a little bit so the jury would not believe as the parents wanted that she was this ingenue who fell in love for the first time to this wily man." Levin sadly faced the same fate, with many arguing she was violated again after her death through the way she was represented by Chambers' defense team.

This denigration happened in many ways: perpetuated in newspaper headlines like "How Jennifer Courted Death," "Wild Sex Killed Jenny," and "She Raped Me"; through expanding on Chambers' story in his confession video that Levin was accidentally killed during rough sex, which he said she initiated; and that Levin's harmless datebook was a sex diary. Fairstein fiercely fought against Litman's attempt to introduce evidence pertaining to the so-called "diary" through extensive motion practice, which was heavily documented in the press; even though Fairstein ultimately won the battle, the delay proved costly. By the time the judge ruled in her favor, the news coverage had already done its damage, leading Fairstein to observe in the AMC series: "Unfortunately, by dragging it out, the word 'sex diary' became as well known to the public, to the potential jurors, as 'rough sex.'"

By the time the trial wrapped up and deliberations commenced in March 1988, it was clear the defense team had done enough damage — the jury was unable to reach a unanimous verdict, and Chambers ended up pleading guilty to first-degree manslaughter. Released in 2003 after serving 15 years for Jennifer Levin's death, Chambers was rearrested years later on drug charges, receiving a 19-year sentence that resulted in more promised prison time for narcotics offenses than for ending a young woman's life.

A closer examination of the Levin case — and the decades of high-profile cases that followed — reveals a troubling, persistent pattern: victims are routinely vilified in the public eye, a fate shared by figures like Nicole Brown Simpson, Rihanna, and Cassie Ventura.

For Simpson, her ex-husband's defense team painted her as a partying addict, spreading theories that she was killed by drug dealers, with defense attorney Johnnie Cochran stating of Simpson and her friends: "They would go out at night … the evidence will be that these ladies would go out two, three, four nights a week and stay out till five o'clock in the morning." In actuality, in contrast to the wild image the defense pushed, prior to her 1994 death, Simpson called the police on her ex-husband, onetime football superstar O.J. Simpson, at least eight times before; he had been charged with spousal battery in 1989, and multiple photos were shown at trial showing severe injuries to her face.

Despite such evidence, Simpson was fully acquitted and walked away a free man in 1995, until later serving prison time from 2008 to 2017 for robbery and kidnapping charges, before his ultimate death in April 2024. In the years since the Simpson case, similar examples of female victim blaming continued: In 2009, Rihanna was accused of provoking her then-boyfriend Chris Brown before he violently beat her, with journalist Diane Sawyer even stating in an interview with the singer that year: "She must have done something! Did she hit him? Did she bait him? Did she rile him?"

In 2019, Chanel Miller came forward publicly with a memoir detailing her 2016 assault by Stanford student Brock Turner, addressing how critics claimed her drinking made her irresponsible and therefore more susceptible to being attacked. Reflecting on this reaction in her book, she wrote: "It's so easily excusable, this thing that we do to blame the victim. And it's so outdated and I'm so sick of it."

Finally, in a case widely covered by Law&Crime, when Cassie Ventura came forward in a 2023 lawsuit against her former partner Sean Combs — setting in motion his 2025 federal trial — she faced public backlash, with critics blaming her for remaining in an abusive relationship for so long.

One would hope that in the decades since Levin's case, we have made meaningful strides in how female victims are treated, yet whether true progress has been made remains an open question. The #MeToo movement, which first took hold in 2017, has helped usher in conversations about how we treat women in all aspects of society, including the workplace, online, and in the courtrooms. Additionally, now in 2026, the reach of social media offers a powerful tool for accountability, enabling the public to immediately challenge and put a stop to instances of victim blaming as they happen.

Finally, legislative progress has followed a similar path. In the wake of her daughter's tragic passing, Ellen Levin worked steadily to fight for critical reforms, including 1990 rape shield laws that prevent victims' prior sexual history from being exposed at trial, as well as measures guaranteeing victims' right to speak in court and at parole hearings. Yet with all this advancement, victim blaming still remains a devastating force. It not only risks altering the legal outcome for a male defendant, but it re-traumatizes the female victim all over again, whether in life or memory. Despite the progress that has been made in the past several years, the continuation of victim blaming in high-profile cases throughout the decades forces us to reckon with a sobering question: Is it enough?

Charming killers, forgotten victims

The frenzy that can ensue when the public finds out the face behind a horrific crime is an appealing one has been notorious for decades. When it was revealed Robert Chambers was arrested for the slaying of Levin, the public was stunned, given that Chambers, who was 6'4″, handsome, and the product of an Upper East Side private school education, did not fit the stereotypical idea of what a "criminal" would look like at that time. Chambers' appearance was so prominent that it showed through in the name the media dubbed him – the "preppy killer." However, as the trial unfolded, it was revealed Chambers' external image had more cracks than appeared – even though he grew up in Manhattan's prominent Upper East Side, his family was not wealthy, he had a severe drug problem, was kicked out of numerous private schools, and had been caught stealing several times. Yet despite this, the media was still swayed by his appearance, and as the jury reached a standstill in 1988, Chambers was able to plead to a lesser charge and get away with a much leaner sentence than originally planned.

Many similar situations in other cases occurred both before and after Chambers – from Ted Bundy to Wade Wilson to the more current, upcoming trial of Luigi Mangione, it is clear good-looking male defendants are viewed more favorably than their less photogenic peers. Psychologists propose this bias exists for a variety of reasons: because attractive people are perceived as more kind and trustworthy to others, onlookers have a difficult time believing that a handsome man would commit a violent act against a woman, and often times, jurors view good looking individuals as having more promising futures and better rehabilitation prospects, therefore deeming their actions as lapses in judgment rather than a permanent part of who they are. This phenomenon seemed to reach a fever pitch with Mangione, who recently pleaded guilty in federal court after admitting he shot healthcare CEO Brian Thompson. Despite the fact that he was seen on tape allegedly shooting Thompson directly, Mangione, who is highly educated, handsome, and from a prominent family in Maryland, generated a huge slew of online support from young female fans, giving the indication that the long-standing trend of handsome male defendants getting special treatment is not going away anytime soon. Yet the concerning aspect still remains — with the spotlight focusing on the male defendant, the memory and importance of the female victim is often left in the dark as a result.

The PR defense

Using the media to spin a client's image or case details for trial advantage is far from a new strategy, and it certainly didn't start or end with Chambers. Most recently, attorneys for Sean Combs sought to reframe severe allegations of coerced "freak-offs" with male escorts as nothing more than consensual encounters within an unconventional, nonmonogamous lifestyle. In his closing argument and multiple media interviews, defense attorney Marc Agnifilo described Combs' combative behavior toward Ventura as a "great modern love story" and that "In terms of … the drugs and the other stuff … that's what makes it a modern love story. I think they really did love each other. I think she very much loved him and I know he very much loved her." Agnifilo's tactic seemed to be effective – Combs (who had been facing up to 20 years in jail) was sentenced to just 50 months and is set to be released in February 2028. Similarly, years earlier, R. Kelly's team orchestrated a series of media interviews featuring his significantly younger live-in girlfriends, aiming to present him merely as a wealthy man with a preference for younger women—whose parents actively encouraged the relationship—rather than an experienced predator taking direct advantage of them.

With Chambers, the media spin was comparably obvious — just a few months after Jennifer's death, Jack Litman arranged for his client to pose in a navy suit on the cover of New York magazine, with the headline: "East Side Story." The cover and article portrayed Chambers as a troubled yet vulnerable young man, with quotes describing him as "very gentle, very sensitive," "nice but extremely shy," and a "nice, normal boy." In the AMC series, Fairstein opined on the impact of the story: "The New York article would imprint itself on the minds of any New Yorkers who wanted to believe in Robert Chambers," while a friend of Levin's, Jessica Doyle, deftly offered an even sharper critique of the tactic: "[T]hey elected to put that on the cover, and that's men protecting each other. Well guess what? You still see this being played out today."

Now, four decades after this tragic case, much of the public and media attention still seems to fixate on Chambers himself, his past, and where he is today. Even the moniker the press dubbed for him, the "Preppy Killer," focused on his polished external appearance and sidelining Levin as a mere afterthought. Even to this day, analysis and discussions center on Chambers while overlooking the central figure whose memory deserves focus and remembrance: Who was Jennifer Levin? To her family and loved ones, Jennifer was a young, vibrant 18-year-old woman on the cusp of adulthood, preparing to head off to college in Boston, with dreams of pursuing a career in fashion design. She had many friends, worked summer jobs in stores and restaurants in the city, and was described by her mother as "filled with life and brightness." While history often focuses on perpetrators and defendants like Chambers, it is critical to never forget Levin, her memory, and the lessons that can be learned from her case to better inform how we treat female victims in the future.